 |
7/2006
JOSHUA NEUSTEIN SPECIAL PROJECTS AND SELECTED EXHIBITIONS
|
|
| 1968 |
Artists' House Jerusalem Rainwater gathering
rainwater from roof through drain pipes drip on silver tray |
| 1969 |
Artists' House, Jerusalem Boots event
with 20,000 pairs of old Boots [with G. Batlle] |
| 1970 |
Israel Museum, Jerusalem. Jerusalem River
Project 55 styrofoam speakers placed along 2 kilometers
in Wadi Abu Tor , transmitting recorded sounds of water sources [with
G. Marx and G. Batlle] Tel Aviv Museum. Autumn Exhibition Road
Piece 'displaced landscape' hay bales, cassette of traffic
sounds |
| 1971 |
Israel Museum, Jerusalem, Barrier Piece
a photographic replacement dealing with barriers in the line of
vision |
| 1972 |
Neustein's studio [action for documentation]
Picture Plane 24 situations that portray modernist issues of
drawing and painting |
| 1973 |
Yodfat Gallery TA. The Sound of Pine Cones
Opening in the Sun pinecones, pine needles, branches. cassette
tape, Neustein's studio, Jerusalem [ action for documentation]
The Birth of Language, Stick Piece Marc Sheps "Art in
Israel A Portrait of a Nation" Yediot Ahronot April
5, 1973 |
1976-
1978 |
Golan Heights; Krusa, Denmark; Belfast, Ireland,
Kassel Dokumenta Territorial Imperative parallel biological
and political border demarcation performance, dog, posters, maps |
| 1983 |
Lebanon / Israel Border, Still Life
an installation action, burning 3 tons of rubber tires in the shape
of an airplane, Tel Hai International Symposium, cur. /cat. Amnon
Barzel |
| 1988 |
The streets of major cities in Israel, repeated
in London, Rio de Janeiro, New York
"Gold Shit" - an environmental action project.
Ronit Antler "Every Shit is Gold" Kol HaIr 1.9. 1988
Segal Reshef "What's His Concept" Kol HaIr 2.9.1988
Michael Sgan-Cohen "And Now Neustein Paints Gold on Dog Shit"
Maariv 19. 8. 88 |
| 1989 |
Dutch T.V. Blind Patriot of the Sun hay
bales, slide projection of maps, map/plywood oval. |
| 1992 |
Schauspielhaus Düsseldorf Look Who's
Talking, The Wedding hay bales, video, leiko light, oriental
rug, cur. Hubertus Wunschik |
| 1993 |
Grey Art Gallery NYU Study Center Still Life
on the Border light box, transparency, pool, recycling
pump /fountain, cur. Tom Sokolowski
Artists' Museum, Lodz Poland : The Wedding hay bales, video,
leiko light, oriental rug
Artists' Museum, Lodz Poland : Words and People stamp with
WORDS/PEOPLE, ink |
| 1995 |
Tel Hai Symposium The Tent that Tore
Itself to Pieces tent, glass, books
Artists' Museum Mitzpe Ramon, Co-Existence Tantalus sheet of
glass 260 x 300 x6 cm. standing in the desert
Venice Biennale The Possessed Library (David Koresh)
cur. Gideon Ofrat |
| 1996 |
SECCA North Carolina, Light on the Ashes
1832 Winston Salem map of ashes, chandelier, clay letters |
| 1997 |
Beit Ariela Municipal Library, Tel Aviv The
Blind Library environmental sculpture, scaffolds, plexi sheets
with braille text, stacks of glass, cur. Wendy Shafir, cat. texts,
Dan Miron, "The Blind Library Under Ben Bulben"
Wendy Shafir, " Noli me Tangere"
Shefi, Smadar "Endangered Words" Haaretz
July 16 '97
Gropius Bau Museum, Aschenbach ash map of Berlin, cur.s Eckhart
Gillen, Amnon Barzel |
| 1998 |
Rose Art Museum, Waltham Ma. From one Root
birch sticks, reflecting pool, text /photo of (Stick Piece
Birth of Language) cur.s /cat.texts Susan Stoops, Wendy Shafir
Tel Aviv Museum Art of the Seventies (Language) Hay Bales,
Hay Bindings,
Picture Plane cur. Prof. Moti Omer
Schreiber Gallery Tel Aviv University Tikkun Hay bales and Hay
Bindings Jerusalem River Project. cur. Prof. Moti Omer |
1999-
2000 |
Herzliya Museum Domestic Tranquility Bne
Brak cur. Wendy Shafir |
| 2002 |
Samuel Priest Rose Gallery. video: Behind
The Mask cur. Manon Slome |
| 2003 |
Zilka Gallery Wesleyan University Good Morning
America "Fanning the Fear" cur. Nina Felshin |
| |
|
| SELECTED ONE-ARTIST EXHIBITIONS
AND REVIEWS |
| 1971 |
Museum of Modern Art, Oxford, England, Travel
Art Oct. 9-Nov. 6 Traveled to Northern Arts Gallery, England,
Jan. 10-Feb. 11, '72 |
| 1972 |
Galerie Yvon Lambert, Paris. Jerusalem River
Project photo documentation |
| 1973 |
Yodfat Gallery, Tel Aviv, Two Installation
Projects, The Sound of Pine Cones Opening in the Sun
pinecones, pine needles branches, sound cassette tape.
Hay Bales, Hay Bindings hay bales, photo, mirror, rope.(see
also 1998)
Sara Breitberg: "Two Events by J. Neustein" Yeditot Ahronot
Dec. 5 1973
Amnon Barzel Art in Israel Flash Art Books Milan 1988 |
| 1974 |
Bertha Urdang Gallery, N.Y. Joshua Neustein
Drawings 1970-73 cat. texts Yona Fischer, Bertha Urdang
Campbell, Lawrence. "Joshua Neustein at Rina" Art in
America N.Y. May/June '74, p. 110
Frank, Peter "Joshua Neustein (Rina) "Art News N.Y.
Mar. '74, pp. 104-105
Robert Pincus Witten "Sons of Light" Arts Magazine Sept
'75 pp.61-70
Gilbert-Rolfe, Jeremy "Joshua Neustein, Rina Gallery" Artforum
N.Y. Apr. '74, pp. 72-73
Frackman, Noel "Joshua Neustein" Arts Magazine N.Y.
June '75, p. 33 |
| 1975 |
Yodfat Gallery, Tel Aviv, Dogma rolls
of tar paper, dried animal carcasses picked up from the highway,
exhibited with scrolled Torn Paper Works |
| 1977 |
Tel Aviv Museum Neustein Director, Marc
Scheps cur., Sara Breitberg cat.text Robert Pincus-Witten
Robert Pincus-Witten "The Neustein Papers" Arts Magazine
Oct. '77 pp.102-115
Goldfine, Gil. "Neustein Now" The Jerusalem Post Magazine,
Aug. 5, '77.
Ronnen, Meir. "The World Jerusalem: Up in Arms" Art News
N.Y. Jan.'78, pp. 128-29 |
| 1978 |
Carnegie-Mellon University, Velar Gallery, Pittsburgh
Neustein: Recent Works cat.text, Jeremy Gilbert-Rolfe
Stephen Kasher "The Substance of Paper" Artforum
March '78
Mary Boone Gallery, New York Neustein, Folded Canvases
Pat Rowe "Art Move" SoHo News N.Y. Oct 5, 1978
Valentin Tatransky, "Joshua Neustein Mary Boone." Arts
Magazine N.Y. Nov. '78, p. 20
Jeremy Gilbert-Rolfe "Joshua Neustein:Fragile Massive Gray Torn
Impermanent" Artforum, Summer '78 |
| 1979 |
Givon Gallery, Tel Aviv Nistar
Gideon Ofrat "The Refugee in White" Haaretz |
| 1980 |
City Beautiful Council, Dayton, Ohio. Where
Are the Miami Indians
Quintessence: The Alternative Spaces Residency Program, No. 3,
Spring 1980. cat.
Kress, Betty Dietz. " 'What is it?' Citizens Asking." Dayton
Daily News (Ohio), Buffalo Evening News, Sept. 16, '80,
p. 31. |
| 1983 |
Herbert F. Johnson Museum, Cornell University,
Ithaca, New York.
Joshua Neustein The Bethlehem Series 1980-83
cat. texts, Pierre Restany "Bethlehem Series" Joseph Masheck
"Marking and Disclosure" Saint Peter's Church, A Congregation
of the Lutheran Church in America, New York
Three Paper Works by Joshua Neustein cur. / text Judith Neaman.
Israel Museum, Jerusalem Joshua Neustein's Maps cat.
intro. Yigal Zalmona
Israel Museum, de Menasce Gallery, Jerusalem Drawings 1983, |
| 1984 |
Gallery X+, Brussels Givon Gallery, Tel Aviv.
The Hidden Drawings |
| 1987 |
Exit Art, New York. Joshua Neustein,
Maps cat. texts,
Jeanette Ingberman, Carlo McCormick, Irit Rogoff and Klaus Ottman
Henry, Gerrit. "Joshua Neustein at Exit Art" Art in America
N.Y. Apr.'88, pp. 206-07
Robert C. Morgan, "Joshua Neustein Exit Art" Flash Art,
Milan Mar/Apr '88, p. 110
Irit Rogoff "The Discourse of Exile" Journal
of Philosophy and Visual Arts vol.1 1988 p.70-76 |
1989-
1990 |
Philadelphia Museum of Judaica, Congregation
Rodeph Shalom, Territory/Territory Dec. 1-Mar. 9
Sozanski, Edward J. "Art in Cartography: A Former Refugee's Mapping
of the World" The Philadelphia Inquirer, Jan. 26, 1990.
p.18 |
| 1992 |
Albright Knox Gallery, Buffalo, New York
The Carbon Series cur. Douglas Schultz cat.text Barry
Schwabsky,.
Elizabeth Licata Buffalo News 'Saga of Modernism, Captured
in Paper' reprinted in Art News Feb. 1993. |
| 1993 |
Grey Art Gallery, New York, The Carbon Series
, Still Life on the Border, cur. Tom Sokolowsky
Holland Cotter 'Joshua Neustein-Review' New York Times Mar.
12, 93.
Bertha Urdang Gallery, New York Early and Late Works by Joshua
Neustein. |
| 1994 |
Sara Levi Gallery Tel Aviv, The Carbon
Series
Dalia Karpel "No One Has Roots We're All Potted Plants"
Haaretz Magazine Feb. 25,1994
Bilu Blich Review Maariv , Gil Goldfein The Carbon Drawings
Jerusalem Post |
| 1995 |
Wynn Kramarsky, New York, Magnetic Drawings
cur. Wendy Shafir
Venice Biennale Israeli Pavilion The Possessed Library (David
Koresh) an installation on the theme of libraries. Works in situ
The Tosca Room, The Archive of Baron Scarpia cur. /cat. texts
Gideon Ofrat, Venice Biennale, Italy '95
Gideon Ofrat, "Two Cities Two Epistemologies" Studio
No.56 '95
"Collected Sources and Manuscripts" Studio No. 57
'95
"Neustein, Tzaig, Grossman in the Archives of the National Library"
Restany Pierre "One Hundred Years of Art, Bureaucrats of the
World Unite" Domus Aug.'95 pp.54-61
Breitberg Sara "The Israeli Pavilion: The Book is Better"
Studio #64 Aug.-Sept 95 pp.51-2
Napack Jonathan "View from the Rialto: The Art of the Party Biennale
Style" The New York Observer June 26 '95 Nicola
von Kuhn "Kunst geht durch die Beine" Berlin Tagespiegel
June 21'95 Willems Sophia "Der Krieg ist Zurück"
Westdeutsche Zeitung Düsseldorf June 20'95
Bufalini Jolanda "Arte e Parole per Riempire la memoria"
L'Unita June 9 '95
Blume Jörg "Pasta Kunst und Prominenz" Westdeutsche
Allgemeine Zeiting June 12 '95
Avgikos Jan "Don't Look Now, Venice Biennale"
Artforum Sept 1995 pp.37-38
Cunoldi Annibel Biennale "46 VenedigIdentity and Alterity"
Neue Bildende Kunst June -Aug '95
Flügge Mathias, Freitag Michael " Imitation oder Die Fiktion
der Ewigkeit" Neue Bildende Kunst June -Aug '95
pp.27-28. Träger, Wolfgang "Photo Report Biennale Venedig"
Kunstforum vol.131 Aug-Oct '95 pp.144-7. Marcia Ventrocq "The
Birthday Biennale: Coming Home to Europe" Art in America
pp.78-79. Flügge M Freitag M "Imitation oder Die Fiktion
der Ewigkeit" Four by Five issue #69 Tel Aviv. |
| 1996 |
Berlin Shafir Gallery N.Y. Carbon Series,
Magnetic Field Drawings
Noga Gallery Tel Aviv Recent Rust Metal maps and Bubble Wrap Maps
Uzi Tzur "Seas Filled with Rust" Haaretz
2/8/96
Smadar Shefi "The Transparency of Ideas on Maps from Bubble
Wrap" Haaretz Aug 4, 1996
SECCA Winston Salem, North Carolina, Light on the Ashes -an
installation, 1832 map of Winston Salem made of ashes, crystal chandelier,
red clay letters, Director Susan Lubowsky Talbott, cur., Jeff Fleming,
project coordinator, Wendy Shafir , cat. text Arthur Danto.
Kristine Stiles: "Joshua Neustein" Interview
Bomb Fall '96
Gregory Volk, "Joshua Neustein at SECCA"
Art in America Jan '97
Sabine Russ "Der Domino Effect von Worten"
Neue Bildende Kunst 6/96 Dec/ Jan
Linda Johnson Dougherty, "Joshua Neustein"
Art Papers Jan-Feb 97 Chapel Hill N.C. |
| 1997 |
Zacheta National Gallery of Contemporary Art,
Warsaw Poland, Polish Forests and Other Drawings
cur.s, Jaromir Jedlinski, Wendy Shafir, in house coordinator Hanna
Wroblewska
cat. texts, Maia Damianovic "Longing: Enacted, Joshua
Neustein's Polish Forests"
Owen Drolet, "The Metallic Skidmarks Left by Invisible
Engines" Jaromir Jedlinski, "On Laconic Violence"
Anda Rottenberg, " Forward" Raphael Rubinstein,
"Dossier of a Carbon Hacker"
Andreas Weiss Gallerie, Berlin, Germany Geographiestunde, ash
map of Germany / Poland on walls and floor, large coals suspended
from the ceiling. |
| 1998 |
Rose Art Musuem, Waltham Ma. Polish Forests,
Magnetic Fields, Carbon Copies,
cur.s, Susan Stoops, Wendy Shafir cat. texts, Martin Jay, Susan Stoops,
Wendy Shafir
Hanart TZ Gallery, Hong Kong, Drawings of Change cur. Manon
Slome |
| 1999 |
Cleveland Center of Fine Arts Between Beauty
and Destiny: River of Ashes cur. Jill Snyder |
| 2000 |
Herzliya Museum Domestic Tranquility Bne Brak
cur. Wendy Shafir. texts: Arthur Danto, Kristine Stiles, Hilary Putnam,
Wendy Shafir 2003 Teddy Kolleck Stadium Gallery Jerusalem Boiling
Point 2005 Shering Fine Arts Berlin AirCushion installation
and Five Drawings |
| 2003 |
New Gallery Teddy Stadium Jerusalem Boiling
Point Migrant Workers Bubble Wrap Maps
cur.Hedva Shemesh |
| 2005 |
Shering Fine Art Luftkissen bubble wrap
wall cover and video cur. Stefanie Hering |
| 2006 |
Gal On Space Tel Aviv Work for Windows, Maps,
Millimetric Profile cur Varda Genossar
Chicago Art Fair solo booth of Carbon Series and Partitur
Install cur. Esther Kim, Nicole Cosgrove |
| |
| SELECTED GROUP EXHIBITIONS AND
REVIEWS |
| 1971 |
Israel Museum, Spertus Hall, Jerusalem Concept
+ Information Barrier Piece.
curator /cat. text, Yona Fischer
Museum of Fine Arts, Boston, Ma. Earth Air Fire Water,
Elements of Art,
Jerusalem River Project photo documentation, cur. /cat.
text Virginia Gunter |
| 1972 |
Israel Museum, Spertus Hall, Jerusalem. 25
Years of Art in Israel
From Landscape to Abstraction-From Abstraction to Nature.
cat. text Yona Fischer.
Camden Arts Centre, London 400 years of Photography, Barrier
Piece
Art in Israel Encyclopedia Judaica 176-78 Year book
1979 pp.286-289
Gallery House London, Affidavit idea - process-
document cur. Sigi Krauss
Hay Bales, Hay Bindings, Double Removal, Barrier Piece, I Remember
Goerge Grosz, Ma(a)nses |
| 1974 |
Israel Museum, Jerusalem. "Beyond
Drawing", Picture Plane photographic documentation
cat. texts, Yona Fischer, Meira Perry Lehmann, Joshua Neustein,
Amnon Barzel "Turn Beyond Drawing "
Haaretz 19.4.74 |
| 1975 |
Worcester Art Museum, Ma. Three Israeli Artists:
Gross, Kupferman, Neustein Torn Paper Works
cat. text, Yona Fischer
Butler, Joseph T. "Three Israeli Artists",
Connoisseur (London), Dec.'75, p. 288.
Frank, Peter "Worcester: A Specifically Israeli Flavor"
Art News, Jan.'76, pp. 95-97 |
| 1976 |
Israel Museum, Jerusalem Photography
Triennale, Double Removal from The Knesset to the Museum
cat. text, Yona Fischer. |
| 1977 |
Louisiana Museum of Modern Art, Humlebaek, Denmark
Ten Artists from Israel,
Territories, plywood ramp and red paint, Territorial Imperative
action for documentation, (poster)
cat. texts Hugo Arne Buch, Yona Fischer |
| 1978 |
Haifa Museum of Modern Art, Israel. Exhibitions
from the Museum Collections
cat. prefaces Gabriel Tadmor, Iona Nicolau, Judith Shen-Dar.
Los Angeles County Museum of Art Seven Artists in
Israel 1948-1978, Nov'78- Feb.'79
Torn Paper Works, Folded Canvases cat. texts, Stephanie Barron,
Maurice Tuchman,
traveled to The Brooklyn Museum, New York, June-Sept. '79
King, Pamela J. "Israeli Artists Present Universal Look
at Art"
Los Angeles Herald Examiner, Nov. 19, 1978, p. E-10.
Larsen, Susan C. "The New Prominence of Israeli Art"
Art News N.Y. Mar. '79, pp. 92-94
Perkins, Constance M. "Seven Artists from Israel."
Artweek
(Oakland, Calif.) Jan. 7 '79, p. 8.
Steven Kasher "The Substance of Paper"
Artforum Mar.'78
John Ashberry "Old Folks at Home" New York
Magazine Aug.'79
Hilton Kramer Review New York Times Aug. 22,'79 |
| 1979 |
The National Museum of Modern Art, Tokyo.
The 11th International Biennial Exhibition
of Prints in Tokyo, June 29-Aug. 5, cat. Traveled in Japan
to The National Museum
of Art, Osaka, Aug. 17-Sept. 25, '79; Museum of Modern Art, Hokkaido,
Sapporo, Oct. 6-28, '79
Marianne Deson Gallery, Chicago. New Work New Media. |
| 1980 |
Bertha Urdang Gallery, New York. [Group
Show: Karen Shaw, Joshua Neustein,
Moshe Kupferman, Rocky Theis, Daniel Babior], Jan. 5-30,'80.
Burnside, Madeleine "Group Show: Bertha Urdang"
Arts Magazine N.Y.June '80 pp. 41-42
Memorial Art Gallery of the University of Rochester, New York.
Contemporary Drawings and Watercolors, Jan. 19-Mar.
2
Bronx Museum, N. Y. Marking Black, Folded Canvases
Jan. 24-Mar. 9,
cat. texts by Jeanette Ingberman and Madeleine Burnside
Judith Lopez-Cardozo, "Marking Black" Artforum, Apr.
1980
Israel Museum, Jerusalem. Boundaries Territories, plywood
ramp, paint cur. /cat. text Stephanie Rachum. |
| 1981 |
Sidney Janis Gallery, N.Y. New Directions:
A Selection From the Commodities Corporation Art Collection, Torn
Paper Works Princeton, N.J. Feb. 12-Mar. 7,
Jewish Museum, N.Y. Artists of Israel: 1920-1980, Feb
19-May 17, cat. texts,
Moshe Barasch, Yona Fischer, Yigal Zalmona, traveled to Tuscon Museum
of Art,
Arizona, Oct. 11-Dec. 6,'81; Memorial Art Gallery of the University
of Rochester,
New York, Jan.4-Mar. 1,'82 Metropolitan Museum and Art Center,
Coral Gables,
Florida, Mar. 22-May 1,'82
Bertha Urdang Gallery, N.Y. Heidi Gluck, Joshua Neustein,
David Reed,
Joel Shapiro, Richard Tuttle,
Hovikodden Art Center, Sonja Henie-Niels Onstad Foundation, Hovikodden,
Norway, '81 cat. Uhle 1982 Bell Gallery, Brown University, Providence,
Rhode Island
Laurie Anderson, Farrell Brickhouse, Scott Burton, Denise Green,
Wolfgang Laib,
Joshua Neustein, Lucio Pozzi, Maritin Puryear, Haim Steinbach,
Torn Paper Works Jan. 15-Feb. 14,
Städlische Kunsthalle Dusseldorf. Bilder Sind Nicht Verboten,
Aug. 28-Oct. 24,
cat. texts, Jürgen Harten, Haim H. Cohn, Karl Bernd Heppe, Hans Werner
Bartsch,
Heinrich Strauss, Eckhart Deutsch, Gillo Dorgles and others.
Israel Museum, Jerusalem Here and Now: Israeli Art,
Painting, Sculpture, Drawing,
Photography, Video Autumn cat. texts, Yigal Zalmona,
Nissan Perez, Meira Perry-Lehmann |
| 1983 |
Image Gallery, Stockbridge, Massachusetts.
Israeli Artists, Maps |
| 1984 |
Haifa Museum of Modern Art, Israel. The
Rational Factor in Works by Israeli Art,.
Jewish Museum N.Y Pale of Settlement cat. texts, Susan Tumarkin
Goodman |
1985-
1986 |
Bass Museum of Art, Miami Beach, Florida.
The American Experience: Contemporary
Immigrant Artists, Maps organized by Independent
cur.s
Inc. N.Y. cat. texts, Cynthia McCabe, Yi-Fu Tuan, Thomas Kessner.
Traveled to the Balch Institute for Ethnic Studies, Philadelphia,
May-July '86
Lakeview Museum of Arts and Sciences, Peoria, Illinois, Sept
-Nov '86 |
| 1986 |
Bowdoin College Museum of Art, Brunswick, Maine
Four Israeli Artists
Torn Paper Works, Folded Canvases
Exit Art, New York. The Disciplined Spirit, Maps
cat. text Bertha Urdang
Islip Art Museum, N.Y. Abstract Energy Now, Maps
text, Madeleine Burnside.
Port of History Museum, Philadelphia. The Concerned Eye, Maps
cat. text, Amnon Barzel.
Jewish Museum, N.Y. Art and Exaltation: Treasures of the
Jewish Museum,
texts, Colin Tobias Eisler, Vivian B. Mann, Norman L. Kleeblatt, Emily
D. Bilski, Susan L. Braunstein,
Anita Friedman and Sharon J. Makover. |
| 1987 |
Exit Art, N.Y. Immigrants and Refugees/Heros
or Villains
John Simon Guggenheim Fellowship 1987 |
| 1988 |
Image Gallery, Stockbridge, Massachusetts
Israeli Artists Maps
Genia Schreiber University Art Gallery, Tel Aviv Upon One of the
Mountains, Map of Jerusalem on High, Striations, Strip Landscape
paintings, cur. /cat. text Mordechai Omer |
| 1989 |
Jewish Museum, N.Y. In the Shadow of Conflict,
Israeli Art: 1980-1989, Fan Over the Middle East,
Table Map, Mondrian Map cat. texts, Susan Tumarkin Goodman,
A.B. Yehoshua, Yigal Zalmona.
Neustein's studio N.Y.C. installation Pillars of Patriotism, hay
bales, map projections
100 Anniversary for Dutch TV VPRO, Homage to Van Gogh-Neustein's studio
Blind Patriot of the Sun |
| 1990 |
Israel Museum, Jerusalem. On Paper/In
Paper/With Paper, Maps
cat. Meira Perry-Lehman, text Yigal Zalmona.
Israel Museum Routes of Wandering, Nomadism, Journey and Transition
in Contemporary Israeli Art curator /cat. text Sarit Shapira
This Side Up, installaion Terrain, film True North,
paintings Still Life, photo documentation
Terrain, a film by Elisabeth Fink Benjamin on Neustein's mapping.
Barbican Centre for the Arts, London. Chagall to Kitaj
Jewish Experience in 20th
Century Art, How History Became Geography ' 91 cat.
text, Avram Kampf |
| 1991 |
Neustein's studio N.Y. Straw Chair Straw
Shadow- Installation with hay bales and loose hay. |
| 1992 |
Berlin Shafir Gallery, N.Y. Geographic Ambivalence
East West Germany, Yugalslavia,
rusted maps- group show, Symposium with Benjamin Harshav
Genia Schreiber University Gallery Tel Aviv, The Water Tower in
Israeli Art, cur. /cat.text Mordechai Omer Water Tank
Over Asia, painted map, water tank
Artifact Gallery, Tel Aviv The Seventies As in Over and
Out, Carbon Series Drawings |
| 1993 |
Fischer Art Gallery, University of Southern
California "The Wedding" in LOCUS
cur. /cat. text Shlomit Shakked.
Stark Gallery, New York, Construction in Process, cur.
Sophie Zezmer.
Artist's Museum Lodz, Poland, My Home is Your Home, The
Wedding
Chelouche Gallery Tel Aviv In the Trace of the Track,
cur. Nira Yitzhaki |
| 1994 |
Berlin Shafir Gallery, New York, Free
Falling Half America, The Dead Sea, Great Lakes [ dolly] ,
rusted maps symposium with Dore Ashton, Marek Bartelik, Joshua Neustein,
Berlin Shafir Gallery, N. Y. Modulating the Exhibition.
Israel Museum Along New Lines Magnetic Field
Drawings, cur. /cat. text Meira Perry Lehmann.
text by Joshua Neustein "After Beyond Drawing" cat. Israel
Museum '94 pp.15-25
Ronnen, Meir. "Beyond Drawing" The Jerusalem
Post Magazine, Apr. 19 1994. p. 22
Smadar Shefi "Magnets are Also Drawings" Haaretz
April 1994 |
| 1995 |
Galerie Hubertus Wunschik, Düsseldorf, Germany
Laurels and Ashes "Dem Deutschen Deserteur"
with Felix Droese, Jochen Gerz, Joshua Neustein.
Michael Georg Müller Neu Rhein Zeitung "Buchstaben Pragen
das Bild",
Jürgen Raap Kunstforum International, band 131 Köln 1995.
Beate Nass "Ein Denkmal für den Deserteur" Neue Rhein
Zeitung, 15.5.95
Sophia Willems, Westdeutsche Zeitung, Düsseldorf "Der
Krieg ist zurück" 20.6.95
Israel Museum, Jerusalem The Arturo Schwarz Collection
True North , Rusted Maps
cat.texts, Arturo Schwarz , Yigal Zalmona |
| 1996 |
Israel Museum Jerusalem The Arturo Schwarz
Collection How History became Geography
cur.s Yigal Zalmona, Arturo Schwarz
Sotheby's N.Y. Masks, Special Event and Auction Mask
in Bubble Wrap
Binet Gallery Tel Aviv Blue & White
Ackland Art Museum Chapel Hill N.C. "Flesh and Word"
cur. Jerry Bolas cat. Dr. Gideon Ofrat |
| 1997 |
Gropius Bau Berlin Deutschlandbilder
cur. Eckhart Gillen; Aschenbach, cur. / cat.text Amnon Barzel
"To Remember Means to Forget What Our Eyes Have Seen"
Basel Art Fair. Andreas Weiss Gallerie, Berlin Carbon Series
Dresden Art Fair Andreas Weiss Gallerie, Berlin Carbon Series |
| 1998 |
MOCA, Los Angles Out of Actions
curator Paul Schimmel, cat.texts, Dr. Kristine Stiles "Powdered
Light and the Sound of Water" Pine Cones Opening in
the Sun, Territorial Imperative, Jerusalem River Project photo
documentation
Centre of Contemporary Art Warsaw Poland The Cartographers,
cur. Zelimir Koscevic
curators for Light on Other Ashes, Wojciech Krukowski
, Grzegorz Borowski
Jaromir Jedlinski " World of Ashes" Krasnogruda
Journal of Art
Tel Aviv Museum Art of the Seventies (Language) Hay Bales,
Hay Bindings, Picture Plane,
Torn Paper Works, Carbon Series Drawings, Millimetric
Profile, cur. /cat. texts Mordechai Omer
Genia Schreiber University Gallery, Tel Aviv Art of the Seventies
(Shamanism)
Jerusalem River Project, The Sound of Pine Cones Opening
in the Sun, cur. /cat. texts Mordechai Omer
Tel Aviv Museum Art of the Seventies, Eyes of the Nation, Visual
Art in a Country without Boundaries
Dogma , rolls of tar paper, animal skins Territorial Imperative,
photo documentation, Boots, photo documentation cur/cat.
Elen Ginton, producer for Dogma Wendy Shafir.
Israel Museum Jerusalem, Orientalism How History Became
Geography cur. /cat. text Yigal Zalmona
Exit Art, N.Y. Signature cur.s, Jeanette Ingberman, Papo Colo |
| 1999 |
Israel Museum Jerusalem The Aquarelle in
Israeli Art Israeli Aquarelles stem glasses, orange juice,
wine, borscht curator /cat. text Meira Perry Lehmann
Haifa Museum of Art Triennale cur. /cat. text Danilella Talmor
Fenicia stacks of glass, black paint, neon light, Crimes
of the Sunflowers, video |
| 2000 |
Exit Art, N.Y. The End cur.s Jeanette
Ingberman, Papo Colo
Exit Art Curating steel plate on Mylar maps 54x46x15"
shattered safety glass, crystals. |
| 2001 |
Israel Museum Jerusalem, Love at First Sight,
cur. Amitai Mendelsohn, text Arturo Schwarz
Venice Biennale Flags - Markers curated Doron Polak |
| 2002 |
Samuel Priest Rose Gallery NY Dangerous Beauty
cur. Manon Slome
Into the Space Joshua Neustein "Tree Bronze sculpture"
Ch. Simonds, Michael Singer,
ArtTIME Return To Zion cur. Gideon Ofrat
Zilka Gallery Wesleyan University Good Morning America "
Fanning the Fear" cur. Nina Felshin |
| 2003 |
Chelsea Museum NY Anxiety Leon Golub,
Joshua Neustein Mona Hatoum, Joley and Reynolds "Fanning
the Fear" cur. Manon Slome |
| 2004 |
Venice Biennale Banners on Garibaldi
Street cur. Doron Pollock
Stones books Jewsih Museum Venice cur. Doron Pollock |
| 2005 |
Petach Tiqva Museum What Did I Forget
cur. Drorit Gur Arie
Venice Biennale Maritime Museum Markers cur. Doron Pollock
|
| 2006 |
Haifa Museum Live Acts Performing the Body
16 mm. film converted to video "Erasures"
1972
Emergency: video installation Berlin Luftkissen 2004
cur. Ilana Tenenbaum |
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